Despite the outward stylistic change that has occurred in his work over the past thirty-five years, there is little difference between his current work and the earlier geometrical style. His art remains essentially about the same thing - the concern for essences - the need to explore the very soul of things.

One aspect of his work that has remained constant is his commitment to abstraction. This is due mainly to his dual allegiance to painting and music. His interest in ‘essences’ and the expressive potential of the ‘pure’ abstraction of music has kept him wedded to an abstractionist ideal.